As we round the corner into autumn in the northern hemisphere, the air is a little crisper, the days are shorter, and the leaves are changing… and looking for some new inks to try out. Do you have favorite inks for the season?

  • vadsamoht@kbin.social
    link
    fedilink
    arrow-up
    2
    ·
    edit-2
    1 year ago

    My most recent ink purchase was Dominant Industry’s Earl Grey Tea, and it’s a beautiful orange shade that is well-behaved (albeit not quite as red as I was expecting when I ordered it). Absolutely no complaints - I even love the bottle, however I will probably get through it slowly because I don’t often use colours that are bright and eye-catching.

    By contrast, one of the inks that is in my permanent rotation and I plan to continue purchasing over and over is Diamine Saddle Brown. It’s a more subtle, darker brown that can pass for ‘serious’ writing but still has a personality that I prefer over many other browns. If the orange of Earl Grey is a cozy Autumn fire, Saddle Brown is the tree branches holding on to their last leaves and the damp earth underfoot on a cold, foggy morning - both enticing in different ways.

    • coys25@lemmy.worldOP
      link
      fedilink
      English
      arrow-up
      1
      ·
      1 year ago

      Nice - I had misread this as Diamine Earl Grey at first, and was very confused (“I’ve used this before and don’t remember any orange tones!”). But it does look beautiful!

      Saddle Brown also looks very nice and versatile. Do you think that you need a medium nib to get the full spectrum of shading? I’ve sometimes been disappointed with browns that are too light with an F nib (bought a sample of Robert Oster Caffe Crema, but it really was too light for my daily use unless in an M, B, or stub).

      • vadsamoht@kbin.social
        link
        fedilink
        arrow-up
        2
        ·
        1 year ago

        I do expect that you would need a medium or wider nib in order to get a real sense of shading out of the ink.

        To your other concern, though, if anything I’ve found that Saddle Brown goes much darker when used in an F/EF nib. Certainly not to the point of being black, but dark enough that unless you were actually paying attention to the shade it doesn’t immediately grab attention as being non-standard; to some people that defeats the point, but I find that sometimes (e.g. at work) I want to fly under the radar a bit while also knowing that I’m using ‘my’ colour.

        It also looks amazing in notebooks that have a slightly ivory/off-white cast to the pages, where the overall sepia effect is something I really enjoy.