It’s honestly pretty much the same with ai, there’s lots of settings, tweaking, prompt writing, masking and so on… that you need to set up in order to get the result you desire.
A photographer can take shitty pictures and you can make shitty stuff with AI but you can also use both tools to make what you want and put lots of work into it.
The photographer is the one making the photo, it is their skill in doing ehat I described above that directly makes the photo. Whereas your prompts, tweaking, etc. are instructions for an AI to make the scenery for you based on other people’s artwork.
I actually have a better analogy for you…
If I trained a monkey to take photos, no matter how good my instructions or the resulting photo are, I don’t own those photos, the monkey does. Though in actuality, the work goes to the public domain in lieu as non-human animals cannot claim copyright.
If you edit that monkey’s photo, you own the edit, but you still don’t own the photo because the monkey took it.
The same should, does currently seem to, apply to AI. It is especially true when that AI is trained on information you don’t hold copyright or licensing for.
Actually… If an animal you own/trained makes art… you did get to have the copyright to the art, until recently with these same legal developments. Now it’s less clear.
I also agree more with the other posters interpretation in general. We copyright art made by random chance emergent effects (Polluck et al.), process based art (Morris Louis et al.), performance art (so many examples… Adrian Piper comes to mind), ephemeral art, math art, and photography, as the poster says. None of those artists are fully in control of every aspect of the final project- the art makes itself, in part, in each example.
If a human uses a math equation for the geometric output of a printer, and they tweak the variables to get the best looking output, we consider that art by law. Ai is exactly the same.
It’s funny, I find that illustrators hate ai art, but “studio” artists (for lack of a better term) usually adore it
Actually… If an animal you own/trained makes art… you did get to have the copyright to the art, until recently with these same legal developments. Now it’s less clear.
If you’re referring to Wikimedia’s infamous Monkey Selfie Dispute, which is the case I’m most aware of, then the reason its less clear is because its hard to determine the sufficient amount of human creativity required to render a human copyright over an animals work.
I’d argue that last bit doesn’t apply to the AI, because while you do provide inspiration in terms of your prompting, tweaking, etc., it is ultimately always the AI that interprets those prompts and creates the artwork. Supervising an AI is not the same thing as setting up and taking a photograph, or drawing a painting.
We copyright art made by random chance emergent effects (Polluck et al.), process based art (Morris Louis et al.), performance art (so many examples… Adrian Piper comes to mind), ephemeral art, math art, and photography, as the poster says. None of those artists are fully in control of every aspect of the final project- the art makes itself, in part, in each example.
If you’re going to cite artists, it would be a good idea to at least link their work for context for those who aren’t in the know… As I don’t know these artists, I can’t make an informed response, so I’ll move on.
If a human uses a math equation for the geometric output of a printer, and they tweak the variables to get the best looking output, we consider that art by law. Ai is exactly the same.
There’s a big difference between a human designing a math formula to output a desired geometry, and a human instructing an AI to do the same.
By having the AI do the artistic work, it’ll always be the one making the artistic choices based on your instruction, and therefore the art is not yours to own.
It’s honestly pretty much the same with ai, there’s lots of settings, tweaking, prompt writing, masking and so on… that you need to set up in order to get the result you desire.
A photographer can take shitty pictures and you can make shitty stuff with AI but you can also use both tools to make what you want and put lots of work into it.
The difference is it’s not you making the art.
The photographer is the one making the photo, it is their skill in doing ehat I described above that directly makes the photo. Whereas your prompts, tweaking, etc. are instructions for an AI to make the scenery for you based on other people’s artwork.
I actually have a better analogy for you…
If I trained a monkey to take photos, no matter how good my instructions or the resulting photo are, I don’t own those photos, the monkey does. Though in actuality, the work goes to the public domain in lieu as non-human animals cannot claim copyright.
If you edit that monkey’s photo, you own the edit, but you still don’t own the photo because the monkey took it.
The same should, does currently seem to, apply to AI. It is especially true when that AI is trained on information you don’t hold copyright or licensing for.
Actually… If an animal you own/trained makes art… you did get to have the copyright to the art, until recently with these same legal developments. Now it’s less clear.
I also agree more with the other posters interpretation in general. We copyright art made by random chance emergent effects (Polluck et al.), process based art (Morris Louis et al.), performance art (so many examples… Adrian Piper comes to mind), ephemeral art, math art, and photography, as the poster says. None of those artists are fully in control of every aspect of the final project- the art makes itself, in part, in each example.
If a human uses a math equation for the geometric output of a printer, and they tweak the variables to get the best looking output, we consider that art by law. Ai is exactly the same.
It’s funny, I find that illustrators hate ai art, but “studio” artists (for lack of a better term) usually adore it
If you’re referring to Wikimedia’s infamous Monkey Selfie Dispute, which is the case I’m most aware of, then the reason its less clear is because its hard to determine the sufficient amount of human creativity required to render a human copyright over an animals work.
I’d argue that last bit doesn’t apply to the AI, because while you do provide inspiration in terms of your prompting, tweaking, etc., it is ultimately always the AI that interprets those prompts and creates the artwork. Supervising an AI is not the same thing as setting up and taking a photograph, or drawing a painting.
If you’re going to cite artists, it would be a good idea to at least link their work for context for those who aren’t in the know… As I don’t know these artists, I can’t make an informed response, so I’ll move on.
There’s a big difference between a human designing a math formula to output a desired geometry, and a human instructing an AI to do the same.
By having the AI do the artistic work, it’ll always be the one making the artistic choices based on your instruction, and therefore the art is not yours to own.