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Cake day: July 3rd, 2023

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  • Okay. A couple of others now that I’m thinking about them.

    From The Past is Red by Catherynne M. Valente, a book about an Earth swallowed by rising seas:

    MY NAME IS Tetley Abednego and I am the most hated girl in Garbagetown. I am nineteen years old. I live alone in Candle Hole, where I was born, and have no friends except for a deformed gannet bird I’ve named Grape Crush and a motherless elephant seal cub I’ve named Big Bargains, and also the hibiscus flower that has recently decided to grow out of my roof, but I haven’t named it anything yet. I love encyclopedias, a cassette I found when I was eight that says Madeline Brix’s Superboss Mixtape ’97 on it in very nice handwriting, plays by Mr. Shakespeare or Mr. Webster or Mr. Beckett, lipstick, Garbagetown, and my twin brother, Maruchan. Maruchan is the only thing that loves me back, but he’s my twin, so it doesn’t really count. We couldn’t stop loving each other any more than the sea could stop being so greedy and give us back China or drive time radio or polar bears. But he doesn’t visit anymore.

    Also by Valente, the opening for Osmo Unknown and the Penny Woods

    Once upon a time, in the beginning of the world, a certain peculiar Forest fell in love with a deep, craggy Valley. The Forest was very dashing. For a forest. Full of tall, thick trees and soft meadows and thorny brambles and a number of clever, bushy animals. The Valley was quite the catch as well, full of great big blue stones and clover and fat black hens and orange flowers. The whole wide earth agreed it was a very good match. And so the Forest and the Valley decided to do as folk have always done and settle down together to see what they might make between the two of them. They put their heads together and tinkered with the stones and the sky and the moon and the autumn and the spring. They pottered about with mushy dirt and rainstorms and exciting new sorts of pumpkins. They went abso- lutely bonkers over mushrooms. They experimented rashly with a year boasting four hundred and seventy-eight days, rather than the usual three hundred and sixty-five. They dabbled in badgers; hedgehogs; raccoons; bears both giant and pygmy; red-, green-, and blue-tailed deer; jackdaws; owls; parrots; cassowaries; flamingos; coots; herons; and pangolins. Most of these weren’t meant to live anywhere near the Forest or the Valley, but they were young and rebellious then and cared nothing for anyone else’s rules.


  • I remember the book Feed by Mira Grant having an opening scene that 100% full throttle right away. I looked it up just now. It’s not quite how I remember it, but it’s good and it was a great book, so I’m commenting with the quote here.

    It’s amazing what you can use for a ramp, given the right motivation. Someone’s collapsed fence was blocking half the road, jutting up at an angle, and I hit it at about fifty miles an hour. The handlebars shuddered in my hands like the horns of a mechanical bull, and the shocks weren’t doing much better. I didn’t even have to check the road in front of us because the moaning started as soon as we came into view. They’d blocked our exit fairly well while Shaun played with his little friend, and mindless plague carriers or not, they had a better grasp of the local geography than we did. We still had one advantage: Zombies aren’t good at predicting suicide charges. And if there’s a better term for driving up the side of a hill at fifty miles an hour with the goal of actually achieving flight when you run out of “up,” I don’t think I want to hear it.



  • I get that you’re being practical here. You’re not technically wrong, and the people who are disagreeing with you really are arguing points of nuance.

    But they aren’t wrong either. That nuance matters in certain contexts.

    You can pick this hill to defend. Or you can learn something that you didn’t know about the people in your online community, and probably your IRL community too.

    Embrace learning something new. It will almost never be a waste of your time.





  • This is exactly where I’m at too.

    They wasted tons of time showing us battles between people who don’t matter just so they could work in a gratuitously long genocide as early as possible. And that means there’s no time to develop Aang’s character or relationships. So we just get wooden actors staring at the camera and saying “You are a kind and generous character. We are friends”. If they had put the characters first and trusted that the audience will care about these people without CGI battles, when they did get around to showing scenes of emotional turmoil and conflict it would have been way more impactful.










  • I suppose it depends on how good of a writer you are.

    Some writers can say things we all know so well that it’s like we’re finally understanding it for the first time. Some writers have a knack for delivering facts or prose with the perfect dose of humor; it’s not what they say, but how they say it that is valuable.

    I suppose the question of what merits a book has is more complicated than just “does this book push the envelope of human knowledge”, huh?