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Joined 1 year ago
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Cake day: July 3rd, 2023

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  • I think we have something contemporary to compare this sci-fi scenario with: recorded vs. live music (especially now that we can keep making exact digital duplicates as nauseam.)

    When you play a CD, it sounds the same each time (ignoring things like the equipment you’re playing through, the room, the ambient noise, etc.). Usually, the studio recording is the best, most pristine recording of a song you can get.

    But when you see the original artist performing the song live, it’s different! A good performer will make you feel like you’re experiencing something special. And the little variations, and even, imperfections, make the song even more compelling!

    It’s the CD recording of the song bad? No. It’s perfectly serviceable. It might even contain things that can’t be performed live. But it’s the same each time. And for some people, that makes it less desirable, and live performances, with all their deviations and mistakes become more desirable.

    And going back to replicated food, apart from Eddington and grandpa Sisko, I don’t remember anyone else saying replicated food was bad. Just less desirable. And even Eddington grudgingly admitted that the TV dîner he was eating in the shuttle with Sisko wasn’t that bad.






  • Earliest game I can think of would be Super Metroid, with it’s X-Ray Scanner, which is an upgrade you get partway through the game. It’s not 100% necessary, but some of the game’s secrets are designed with it in mind.

    The Metroid Prime games implemented an FPS version of this pretty well. Really contributed to the atmosphere in some places. Also, while the visors let you see otherwise invisible things, they also made other things harder to see (or, in the case of the scanning visor, you couldn’t shoot while it was on.)



  • Threshold is an attempt at remaking The Fly (mostly the Cronenberg version.) Even though it’s a valiant attempt at body horror, the limitations of network TV really prevent it from reaching its full potential. From the same era, I’d say The X-files did that sort of thing better.

    And in fact, the reset button ending is what completely neuters Threshold. The ending to Cronenberg’s The Fly is really powerful because of the final pathos and irreversibility. Instead of leaning on this, Threshold just goes incomprehensibly weird.

    I think Star Trek’s most successful body horror episode is probably TNG’s Genesis (though I think Enterprise might have had a couple valiant attempts I should try to remember.). Genesis also suffers a little from its reset button, but since it doesn’t lean on pathos like Threshold and The Fly, the reset isn’t as annoying.

    But in general I really feel like Star Trek should now be able to do good episodic TV which still shows real character progression and avoids total reset buttons. Some recent series leaned too far into serialization, but I’m hoping SNW strikes a good balance.